Lee Wochner: Writer. Director. Writing instructor. Thinker about things.


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Does reading this count?

November 20th, 2007

According to a report released today by the National Endowment for the Arts, reading in the U.S. is in steep decline. Here’s the story from AP:

A growing crisis in American literacy 

Fewers adults than ever report reading even one book a year, says disturbing new NEA report.

By Hillel Italie, Associated Press
November 19, 2007

NEW YORK — The latest National Endowment for the Arts report draws on a variety of sources, public and private, and essentially reaches one conclusion: Americans are reading less.

The study, “To Read or Not Read,” is being released today as a follow-up to a 2004 NEA survey, “Reading at Risk,” that found an increasing number of adult Americans were not even reading one book a year.

“To Read or Not to Read” gathers an array of government, academic and foundation data on everything from how many 9-year-olds read every day for “fun” (54%) to the percentage of high school graduates deemed by employers as “deficient” in writing in English (72%).

“I’ve done a lot of work in statistics in my career and I’ve never seen a situation where so much data was pulled from so many places and absolutely everything is so consistent,” NEA Chairman Dana Gioia said.

Among the findings in the 99-page study:

* In 2002, only 52% of Americans ages 18 to 24, the college years, read a book voluntarily, down from 59% in 1992.

* Money spent on books, after being adjusted for inflation, dropped 14% from 1985 to 2005 and has fallen dramatically since the mid-1990s.

* The number of adults possessing bachelor’s degrees and “proficient in reading prose” dropped from 40% in 1992 to 31% in 2003.

An age gap

Some of the news is good, notably among 9-year-olds, whose reading comprehension scores have soared since the early 1990s. But at the same time, the number of 17-year-olds who “never or hardly ever” read for pleasure has doubled, to 19%, and their comprehension scores have fallen.

“I think there’s been an enormous investment in teaching kids to read in elementary school,” Gioia said. “Kids are doing better at 9 and at 11. At 13, they’re doing no worse, but then you see his catastrophic falloff. . . . If kids are put into this electronic culture without any counterbalancing efforts, they will stop reading.”

Publishers and booksellers have noted that teen fiction is a rapidly expanding category in an otherwise flat market, but the NEA’s director of research, Sunil Iyengar, wondered how much of that growth has been caused by the Harry Potter books, the last of which came out in July.

“It’s great that millions of kids are reading these long, intricate novels, but reading one such book every 18 months doesn’t make up for daily reading,” Gioia said.

Doug Whiteman, president of the Penguin Young Readers Group, a division of Penguin Group (USA), said sales of teen books were the strongest part of his business.

But he added that a couple of factors could explain why scores were dropping: Adults are also buying the Potter books, thus making the teen market seem bigger on paper, and some sales are for non-English-language books.

“There are so many nuances,” Whiteman said. “Reading scores don’t necessarily have any relevance to today’s sales.”

The head of Simon & Schuster’s children’s publishing division, Rick Richter, saw another reason why sales could rise even as scores go down: A growing gap between those who read and those who don’t.

Richter considers it “very possible” that the market is driven by a relatively small number of young people who buy large numbers of books. Test scores, meanwhile, are lowered by the larger population of teens who don’t read. “A divide like that is really a cause for concern,” Richter said.

The report emphasizes the social benefits of reading: “Literary readers” are more likely to exercise, visit art museums, keep up with current events, vote in presidential elections and perform volunteer work.

“This should explode the notion that reading is somehow a passive activity,” Gioia said. “Reading creates people who are more active by any measure. . . . People who don’t read, who spend more of their time watching TV or on the Internet, playing video games, seem to be significantly more passive.”

Sounding the alarm

Gioia called the decline in reading “perhaps the most important socioeconomic issue in the United States” and called for changes “in the way we’re educating kids, especially in high school and college.”

“We need to reconnect reading with pleasure and enlightenment,” he said.

” ‘To Read or Not Read’ suggests we are losing the majority of the new generation,” Gioia added. “The majority of young Americans will not realize their individual, economic or social potential.”

I read this — no pun intended — and thought, I’m not sure. In some of the disciplines I follow, such as poetry and comic books, reading is dramatically up. Given that more and more people have direct access to the internet and probably check out news sites while they’re there, I think news reading may be up as well. (Although newspaper reading is no doubt shrinking.) And I also couldn’t help bearing in mind that Chaucer had nine readers in his lifetime, all of them at court, so we’re certainly in better shape than that. And, if we’re counting raw numbers, given the explosion in population (200 million Americans when I was a boy; 260 million now), that certainly equals a net growth in readers. Finally, given that almost everyone in the known universe is writing a memoir or self-help book of some sort, they must be able to read. I say all this while maintaining my enormous respect for NEA Chair Gioia, whose goals are laudable.

Then I used the internet — and my reading skills — to locate this piece in the New York Times, which quotes a USC colleague who has similar reservations:

The new report is likely to provoke as much debate as the previous one. Stephen Krashen, a professor emeritus of education at the University of Southern California, said that based on his analysis of other data, reading was not on the decline. He added that the endowment appeared to be exaggerating the decline in reading scores and said that according to federal education statistics, the bulk of decreases in 12th-grade reading scores had occurred in the early 1990s, and that compared with 1994 average reading scores in 2005 were only one point lower.

Something I remember from my childhood in the 1970’s was a widespread sense that children of the time were somehow dumber than our predecessors. (This is somewhat akin to the death of the theatre, which has been happening for 2000 years. Los Angeles has, at last count, 400 theatres.) I look at the astonishing proficiency in new technologies of so much of this generation and I wonder if our assumptions don’t keep us from recognizing these new achievements because they don’t correlate with past experience.

Whatever shape books come in, reading will continue. So will the emergence of new technologies and new storytelling mechanisms. I pledge to you that “Marvel Ultimate Alliance” on Xbox 360 is in some ways an amazing storytelling experience. Yes, the plotlines and characterization are crude, but this is only the start. In the new era — as we also saw foreshadowed in “Myst” and in Dick’s “The Three Stigmata of Palmer Eldritch” — we will be inside the story. Will this new fiction necessarily be a lesser achievement than, say, Tolstoy’s? Or will we understand that embracing the possibilities of the new forms does not mean that we cannot continue our appreciation of Tolstoy and Chaucer?

Until that day, because of the poor track record of doomsayers, I remain suspicious of “decline and fall” theories.
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Now playing: Pere Ubu – The Book Is On The Table
via FoxyTunes

More shows I must see: the Albee contingent

November 17th, 2007

The Edward Albee resurgence first begun with “Three Tall Women” continues, as recounted in this fine piece recently in the New York Times. If I do go back east to go duck hunting in January, I can try to catch “Me, Myself, and I” at the McCarter; while in Philadelphia around May for the aforementioned Bill Irwin show, I can try to add in “Occupant” at the Signature in New York. (I’m afraid to see “Peter and Jerry,” the prequel/sequel to “The Zoo Story,” afraid because I don’t want “The Zoo Story” ruined for me — it’s played too large a role in my life.)

Albee is an ongoing inspiration and I’m glad the theatre and its patrons have embraced him back. In the 1980’s he was decidedly out of fashion. I will never forget the infamous cover of New York magazine with a photo of Albee emblazoned with the legend “Edward Albee:  Should he quit?” I don’t think the Nazis treated Brecht this badly.

Un-Swift response

November 17th, 2007

Three years after losing an election that should have been his, John Kerry has decided to refute the “Swift Boat” allegations and to make T. Boone Pickens, one of the funders of the smear campaign, pay for it personally. Here’s the full story.

My question is the obvious one: With a response time like this, how did Kerry ever win a Senate seat?

And yes, I spent a weekend in Arizona in 2004 with Democratic activists as well as my son Lex campaigning door-to-door for Kerry. He lost there, too. I wouldn’t be surprised if he’s now considering doing some door-knocking there this Sunday.

I hope he proves his case to Pickens, but I’m not holding out much hope. It’s hard to convince anyone of anything they don’t want to believe; it’s got to be even harder with rich Republican activists from Texas.

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Now playing: Franz Ferdinand – Do You Want To
via FoxyTunes

Shows I must see (the latest in a series)

November 17th, 2007

happinesslecture.gifBill Irwin’s upcoming new show, The Happiness Lecture, premieres this spring at Philadelphia Theatre Company in, well, Philadelphia. Click here for information and tickets. Not only must I see this, I must round up appropriate friends (Rich? Joe? Paul?) who will appreciate the show with me. Yes, this will entail going from Los Angeles to Philadelphia expressly to see the show, as well as returning thereafter, but some things should not be missed. If I can’t see Buster Keaton live (although I hope to see him some day while dead), at least I can see Bill Irwin.

I have seen Mr. Irwin perform live twice before, in the delightful “Fool Moon” last decade at the Doolittle in Hollywood, and early this year in the decidedly undelightful and unforgettable “Who’s Afraid of Virgina Woolf” at the Ahmanson, which I complained about here. (I continue to believe that production may have forever ruined the play for me, so no, I’m not going to forget it.) It will be a pleasure to see Mr. Irwin back in his element: comically deconstructing existence. At least, I hope that’s what it’s going to be, especially given that it’s going to cost me a cross-country trip to find out.

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Now playing: Pere Ubu – My Theory Of Spontaneous Simultude
via FoxyTunes

Comic anger, writ large

November 15th, 2007

Buster Keaton didn’t like them (although he wound up working for them), but I love The Three Stooges. No, they do not deliver the comic existentialism of the master or of his disciple (Samuel Beckett). But for comic menace and anarchy, no one tops the Stooges. (And surely, anyone who has had to deal with an unruly child can sympathize with Moe’s handling of Curly.)

If you’re in LA, next weekend’s your opportunity to see the Stooges at their biggest: on a big screen. Their act was built on the stage, which means their malevolence was delivered the old-fashioned way: in person, and minus special effects. Technology has given the film industry innumerable new toys, but it has also taken away the pleasure of knowing that Keaton could break his neck (as he once did), that Harold Lloyd was indeed hanging from a clock (and lost part of his hand in a filmed explosion), and that when Moe misjudged, Larry did get his eyes poked. Comedy is attached to pain; visceral thrills are associated with danger. I don’t want performers getting hurt, but it’s hard to muster much concern or astonishment when CGI replaces human beings.

Sub-prime thinking

November 13th, 2007

The melting sub-prime mortgage market, clarified. (And yes, they are comedians. But that doesn’t make them wrong.)

Kkklever

November 9th, 2007

From the guy who previously blamed it all on the gays, we now present a look into the difficulties of trying to fit in with the Klan.

Just wondering

November 8th, 2007

Now that Michael Mukasey has been confirmed as our next Attorney General, do you think he’s decided yet whether or not waterboarding is torture? Because the waiting is killing me.

May weasels rip my flesh…

November 8th, 2007

…because I seem to have missed the Los Angeles stop of the “Zappa Plays Zappa” tour, dammit! Not sure how I didn’t hear about this in time, but… argh! And as if having one of my students say in passing, “That was a good show,” wasn’t bad enough, now I get this report from Rich Roesberg of an event I very much would have liked to see:

My son Justin treated me to a concert tonight, Dweezil Zappa playing his late father’s music, appropriately called ZAPPA PLAYS ZAPPA. It was at the House of Blues inside the Showboat Casino. We got there and Justin asked me if someone he saw was ‘that friend of yours’. Sure enough it was my pal Micky, who is one of the heads of security at the HOB. He asked us if we had general admission tickets and, when we admitted that was all we had, he took us upstairs in the private elevator and put us in the preferable balcony area. Comfortable seats plus great view and acoustics.

The band came on promptly at eight. There were eight players, including vocalist/guitarist Ray White, who had played with Frank Zappa. The group jumped into an early FZ tune. Justin and I had the same thought. Were they only going to play the more accessible songs? Nope. They were soon displaying amazing musicianship on complex FZ pieces like Zoot Allures and G-Spot Tornado. Before performing Dupree’s Paradise, Dweezil explained that it involved a lot of improvisation. He also got a pair of audience members to contribute one word each, to be used later in the number. The words were ‘fabulous’ and ‘time’. Each member of the band got to take a solo, all of which were excellent. Then Dweezil announced that he had decided the contributed words were to be used in an improvised story about a school bully. Ray White made up a song concerning the bully, who had a ‘fabulous time’ beating him up. It became perversely suggestive.

There were video screens above the stage. For three songs they showed footage of FZ. In two of them there were audio tracks of FZ’s guitar playing, and on the other his vocal. The band backed up these recorded performances and, in one case, Dweezil played responses to his father’s guitar work. The entire show was very well paced, with vocal selections balanced against longer instrumentals. The elder Zappa’s humor was intact. Dweezil performed his own version of FZ’s technique of ‘conducting’ the band with hand signals. Best of all, the younger Zappa has developed his guitar skills until they compare favorably to his father’s. Except for plenty of noisy drunks in the audience, fueled by the drinks available inside the club, it was a fine two-and-a-half hour performance. Anybody who appreciates FZ’s music should definitely try to catch this concert if it plays anywhere near you.

Zoot allures! Given that Dweezil is famously a valley guy, this has got to be coming back to my neck of the woods. Let’s hope so.

The eyes have it

November 8th, 2007

I guess I’m glad that my good friend Doug Hackney had corrective surgery to his eyes. Doug’s always been a visionary, and we wouldn’t want to lose that.

But describing the procedure at length — and including photos of every gruesome up-close eye-scraping and incision, as you can read here if you’re of strong stomach — brought to mind what we in comics fandom call “injury to eye motif.” Here are some sterling examples:


These comics are highly collectible, and I think we can see why: They prey on one of our deepest fears. And although Doug sadly knows little or nothing about comic books, I think he understands the collective subconscious as well as anyone. Why else tease us with a close-up of his visage looking like something straight out of “X, the Man with X-Ray Eyes?” And who could possibly read his story and look at the photos without flinching? No one. Because seeing is believing.