Law enforcement has now, somewhat tentatively, identified the head and other body parts found in the Hollywood hills. as belonging to a Mr. Hervey Medellin, aged 66, a former employee with Mexicana Airlines.
Here’s what interests me about this latest development: In previous reports, the head was described as belonging to a person with Armenian features and appearing to be in his mid-40’s. Now it’s a man 20 years older, and from south of the border.
All across the country, I’ve had people come up to me and talk to me as though I’m someone else they already know. The shopping carts at my local Albertson’s supermarket feature an ad from some Realtor, with his photo; I don’t see the resemblance, but three times people in the supermarket have approached me and pointed to the ad and to me, as though I’m a local celebrity because I’m on their shopping cart. And recently my own iPhoto account has started tagging photos of other people — men roughly my age, with similar facial hair — as potentially being me. When I was younger and lived on the East Coast, I was routinely mistaken for being Puerto Rican. I am of 100% German descent.
Remember all this the next time you see or hear about a police lineup, or witness testimony, or any other sort of personal identification.
And, for added measure, we might all dwell on the people on death row who were released decades later after DNA evidence exonerated them.
The AP story includes this classic line: “The remains are believed to come from the same man.” Unlike many beliefs, this one seems valid.
The situation can’t help but remind me of this joke:
An English P.O.W. is in a German hospital with serious injuries. The doctor comes into his room and says, “The news iss bad. Ve are going to have to amputate your leg.” The Brit replies “Right then. War is hell and all that malarkey. But could you ask your commandant if he wouldn’t find it to much of a bother to drop it over my beloved homeland when he goes on his next bombing mission?” Off goes the doctor, and with the commandant’s permission, they fulfill his request.
A few days later, the doctor returns into his room and says, “More bad news. Ve are going to have to amputate your other leg.” The Brit replies “Right then. War is hell and all that malarkey. Could you ask your commandant if he wouldn’t mind terribly if he could drop it over my beloved homeland when he goes on his next bombing mission?” Off goes the doctor, and again his request is fulfilled.
Another week passes, and the doctor returns to his room and says, “Achh! More bad news. Ve are going to have to amputate your arm.” The Brit replies “Right then. War is hell and all that malarkey. Please do ask your commandant if he could find the time to drop it over my beloved homeland on his next bombing mission?” Sure enough, it is done.
More time passes, and the doctor once again returns and says, “Ze news, she does not get any better. Ve are going to have to amputate your other arm!” The Brit replies “Right then. War is hell and all that malarkey. It would warm my heart dearly if the commandant could drop it over my beloved homeland on his next bombing mission.” The doctor goes off and returns with an agitated look on his face. “The commandant says NO, he vill not do ziss for you. He thinks you are trying to escape!”
Rumors of this sort of thing have often been associated with Griffith Park’s past, but for the area surrounding the Hollywood sign it’s the first that I know of.
Favorite line from the story: “The detectives are treating the case as a possible homicide.” Well, I think we can rule out suicide.
Or is it the two actors I’ve worked with who turn up in this video tribute?
Coincidentally, I just found out that the OFFICIAL video to this song (the Lionel Richie version) prominently features my friend Brendan Broms. (He’s the young guy in the scarf.) Brendan and I have been doing theatre together for 15 years now. (And we’re now trying to get a new play up — if I can just write the damn thing.) Here’s that version, with Brendan, but in the meantime, I’m wondering how many other friends are in other versions of “Hello.”
In my circle of friends (and with readers of this blog), my antipathy for “The Descendants” is well-known. So, of course, I got an email from a sympathizer aghast that “The Descendants” won a Golden Globe tonight for “Best Picture.”
Here’s what I think:
It’s good to bear in mind that “Citizen Kane” lost the Oscar to “How Green Was My Valley” (a film now more obscure than Charles Foster Kane’s sled).
And it’s also good to know that one year, the Nobel committee was tied between giving the prize for Literature to Beckett or Ionesco — until finally one guy just switched his vote to Beckett so they could go home.
I once won an award for a play that I wasn’t sure was the best in the festival; the following year, in the same festival, I lost, when I know I had the best play.
I have a new play, “Dead Battery,” in next month’s iteration of “The Car Plays,” produced by Moving Arts in conjunction with the La Jolla Playhouse down in San Diego. Here’s a nice bit of press we just got from the San Diego Union Tribune (with a focus, naturally, on the San Diego-affiliated talent). I’m thrilled to have Paul Stein (I knew him when he was Paul Nicolai Stein) directing one of my pieces again; he’s a gifted director, and someone I always learn something from. (I’m always on the lookout for talented people I can learn from.) And I’m very proud of the ongoing success of the little theatre company that some of us founded back in 1992. We didn’t know it would be our legacy — we just wanted to do new plays — but when you’ve hit your 20th anniversary, I guess that’s what it is. I’m grateful to Paul for the car plays concept, and to everybody at Moving Arts who keeps our engine humming.
My friend Jason Neulander, a director and writer in Austin, shares two of my great passions: comics and theatre. Here’s the latest very cool thing that Jason has done: turned his radio play “Intergalactic Nemesis” into a graphic novel, which he then turned into — a live theatre piece combining elements of a stageplay, foley sound effects akin to radio drama, and visuals from the graphic novel.
In the 1990’s, I got to work with a “non-radio radio” group called Smugly Absurd several times, producing their shows at my theatre, Moving Arts; they were (and are) amazing actors, able to do numerous voices, ably accompanied by our late friend David Krebs, a premiere foley artist who could sonically convince you that you were boarding a train, scuffling in the dirt, taming a horse, or otherwise sharing in the adventures. I just wish we’d thought to produce a graphic novel and build that into it, too.
I’ve been to many a political celebration (or “meet-and-greet,” as with my Congressman, last Sunday) and there’s usually alcohol, and sometimes cigars. Which begs the question, what’s camp Romney been doing about this, given the Mormon sanction against such vices. I was especially interested in this, given that I have some Mormon friends. So I found this explainer from Slate especially illuminating.
