I’m a partner in a digital marketing firm, Counterintuity. How did I get into this line of work? People asked me to.
Specifically, starting about 20 years ago, they started asking me if I could bring to bear for their organizations those writing / directing / producing / acting skills learned from all those years in theatre. And the banks and the municipalities and the ad agencies paid a lot better than the theatre. So I started doing that.
As Tom Vander Well’s story shows, it looks like I’m not the only one that’s happened to. And here’s why: working in the theatre is really really good prep for most things. As my good friend (and fellow theatre-builder) Tom Boyle says, if you’re going to be stranded on a desert island, you want to get stranded with theatre people, because they can build or fix anything, and do it from almost nothing. More than that, we tend to have strong behavioral skills.
One difference between Tom Vander Well and myself: While he was a theatre major; I wasn’t (all my theatre training was on-the-job; my formal training was in writing and criticism). And so because my major was Literature and Language, I wince when he writes that he was “an alumni” of his school, rather than “an alumnus” — unless he’s more than one person. Further proof that you always carry your past with you.
I’ve got to admit, I’m a sucker for the Shat, whose one-man show comes to Los Angeles in one mere month. Will the show be tongue-in-cheek? Will it be straight-up? Campy? Vainglorious? Exhilarating and a complete bomb? All of the above and at the same time, of course, just like everything about him. I’m checking out tickets now.
I respect Sturm’s opinion — especially because he’s a lifelong comics fan who also wrote a Fantastic Four miniseries (and a good one!) — but I’m not sure what he’s asking for. I wish he were more specific. If it’s a cash settlement: Jack Kirby, indisputably the most important creator in the history of Marvel comics, is deceased, meaning that a settlement would benefit his heirs — who, like every one else at Marvel then and now except Kirby and Lee, also didn’t create these characters. (Nevertheless, it would be nice to see the family get some small share of the billions generated from these characters.) If it’s recognition that Sturm is advocating, I believe there’s a title card at the front of most of the Marvel movies that acknowledges Jack Kirby.
I doubt I’ll be boycotting the movie — I saw the other Marvel movies — but I’m interested in other viewpoints.
I was in Hollywood last night at the Hollywood & Highland complex for the 125th anniversary of Hollywood. (And if you think that’s a lot of ways to say “Hollywood,” well, welcome to Hollywood.) While I was there, I noted yet again the scores of amateur costumed characters pestering tourists to get their picture taken with them — and then insisting on a “tip.” One guy couldn’t even bother with a costume; a semi-fit black guy wearing a black muscle shirt emblazoned with the sobriquet “Mr. Muscles” commandeered a section of sidewalk near the Kodak Theatre and bellowed out “Mr. Muscles! GIT your PICture with MR. MUSCLES!” Nobody seemed eager to do so.
Tonight, once again, and once again in front of the Kodak, a brawl erupted. Someone posing as Jack Sparrow got into it with Catwoman (my money’s on her) and an alien and another pirate. Here’s the story in the LA Times. (If this other pirate is the one I’m thinking I’ve seen there, I’m not surprised he was involved.) Spider-Man was led away in handcuffs, and SpongeBob was detained. You can’t make this up.
Here’s a prediction: The police and the city and the local merchants are going to get more involved in this. Exercising your free rights to parade around in a costume is one thing; presenting a public nuisance and menacing passersby is another. And my experience every place I’ve been, inside the U.S. and out, is this: Whenever it threatens the tourist trade, the local authorities swing into action.
