A difference of opinion
May 14th, 2007
The other night I saw what I thought was the most remarkable play I’ve seen in perhaps 10 years. (Since I saw the premiere production of “How I Learned to Drive,” a play I now teach.) It was “Yellow Face,” by David Henry Hwang, now playing at the Mark Taper Forum here in Los Angeles. Even though I had to get up at the inconceivable time of 5 a.m. the next morning for USC commencement, there I was at 11 p.m. on the plaza of the Music Center declaiming the wonders of the play for Dorinne Kondo, the friend/colleague who invited me, and Tim Dang, artistic director of co-producing company East West Players. I’m going to write more about this play when I have more time, but let’s put it this way: I wondered aloud how long it would be before “Yellow Face” is published, because I’d like to read it and I might put it into the syllabus of one of my classes.
Today I had lunch with another colleague, a playwright whose work I respect. She’s smart and talented. She wanted to know if I’d seen “Fat Pig” at the Geffen. (Answer: Not yet.) I brought up “Yellow Face,” preparing to launch into full shared excitement. Her reaction: She left at intermission. “I don’t like plays about writers writing about writing,” she said. That line was especially ironic to me because in 1992 I wrote a play that specifically satirized a form of novels I loathe: writers writing about writers who write about writers. (The specific novel that first got me on this rant was “The Dean’s December” by Saul Bellow.) To me, “Yellow Face” was about many different wonderful things, interwoven and unified. To her, it was a play about the playwright writing this play (which, granted, it is on the surface). We saw the same play (well, she saw only half) and arrived at completely different conclusions.
I’ve grown used to having disagreements about art. (And even higher forms, like comic books.) But “Yellow Face” is precisely the sort of play I go to the theatre hoping to come across — surprising, funny, moving, troubling; something that makes me challenge my own notions of what is right behavior and what is wrong behavior. To me it seems so ambitious, and so successful on its own terms, and so important, that it is unequivocally great. But after listening to my friend this afternoon, I suspect that my dread that night — that the critics are going to reject it as either self-serving or badly constructed — is exactly what’s going to happen.
I hope not.
And I’m going to advise everyone I know to see this show.

On your left is former Senator Mike Gravel, who recently announced for president. How former? A Democrat, he represented Alaska from 1969 until 1981. That means his last real relationship in the White House was with Jimmy Carter.
After orientation and receiving the schedule, I got back in the car and drove to find my hotel. It was somewhere near the end of the known universe. Remember the famous New Yorker cover that shows everything past the Hudson River in the far distance, hovering near the vanishing point? My hotel, one of the convention headquarter hotels, was similarly located. From the convention center, my hotel was somewhere past the point where Medieval mapmakers showed ships passing sea monsters and falling off the map. After 20 years of regular visits to San Diego, I had naively asserted that I had stayed in every hotel in San Diego. Not so. This hotel, and I use the term loosely, was something called “The Handlery.” No, I don’t know what that means either. I can say that it is a hotel in the way that Ticketmaster service charges are “convenience fees.” Rather than a hotel, it more closely approximated a Howard Johnson’s from Pennsylvania cow country. From the luxury of my ground-level room, conveniently adjacent to the parking lot where someone was having a tailgate party while I checked in, I could listen in to my neighbor’s television through the wall. Not because the television was too loud, but because the walls were too thin, a determination proved by the fact that I could also hear him use the bathroom. You may use your imagination about that; I didn’t need to.