The mainstreaming of comics
October 21st, 2007We are at an odd point in comic-book history: At a point when the sales of mainstream comics in the format most of us grew up with have nearly reached the vanishing point, comics in new and more adult formats have seen sales spikes. Maybe you can’t find comics on a spinner rack at the market or to any great degree at 7-11, but you can find them in collected editions at Barnes & Noble, where they are selling in increasing numbers.
You can also find them deeply rooted in our mainstream culture, where they have enormous influence and growing general acceptance. Without comics, we’d have no “Heroes,” and without comic books I’m wondering what movie studios would be releasing on most of their screens any more.
In addition to their new marketplace foothold, comic books in my lifetime have become a source of worthy academic and literary investigation. Case in point: the new biography of Peanuts creator Charles Schulz. Having come of age during the strip’s decline into cuteness and Hallmark merchandising, I haven’t been a fan. But I have to admit that the earlier strips show a multi-leveled psychology that underpins its later enormous success. (The same can be said with Spider-Man, and Superman, and all iconic character creations, Spider-Man being a loser unable to strike back against a bullying society, and Superman being an alien Jew determined not to lose another homeland or see his new race perish.)
I’ve decided I’m going to read that Schulz biography early next year. (Yes, it’s gotten to the point that I’m scheduling my book reading. It’s the only way to accomplish these goals.) As much as being a biography of Schulz, and one related to comics, it also sounds like a biography of our culture in a certain time and place. Similarly, I’m looking forward to Mark Evanier’s forthcoming book, “Kirby, King of the Comics,” a mini-bio of sorts of Jack Kirby in preparation for Evanier’s long-in-development biography.
For insights into these two books, as well as other thoughts about the place of comics in our culture today, I suggest this fine piece in today’s Los Angeles Times. While I bemoan its title — “Comic strips aren’t just for laughs,” which is, after all, a variation on the tired “Hey, comics aren’t just for kids!” angle — the piece itself is dead-on about something that has been signally important in my life and the lives of many, many others.
