Cogent criticism
My new play, “Triptych,” opened today. It runs through June in Hollywood at the Stephanie Feury Theatre. Here’s where to learn more, and get tickets.
Here are some initial responses.
A theatrical producer I’ve known for a long time now posted this on Facebook: “Just saw this today. A bracing mix of art, sex and violence. Made me think, feel, and think again. Lee Wochner mixes up a potent brew. I recommend it!”
The artistically minded mother of a director and playwright I’ve worked with posted this: “My husband & I saw today’s performance & enjoyed our afternoon. I especially liked the ending but I’ll never tell! Long stem Red Roses & Kudo’s to Lee Wochner, Michael David, Daria Balling, Ross Kramer, Laura Buckles & Dana Xedos.”
But here’s what both my director and I think is the most cogent criticism so far. When it was over, my 14-year-old son turned to me and said, “Dad, this play reeks of you.”
And it does. It reeks of me. The wordplay, the insistence on grammar, the vocabulary, some of the tensions in the relationships, the mockery of Barefoot wine, and much more. “I’ve heard you say a lot of that!” he said later.
We stopped at the supermarket later to pick up a few things, and he went on about how much he heard “me” through the play. I told him that I’ve written lots of plays, and lots of different sorts of plays, and that not all of them sound that much like me. I told him that I’ve written a lot of blue-collar characters with restricted vocabulary, and reminded him that I grew up knowing a lot of people like that and that I have great respect for them.
But he hasn’t seen those plays — and I had thought he hadn’t seen any other of my plays, until I remembered he’d seen a couple of short plays of mine the past couple of years at the annual Moving Arts holiday party.
So, for now, I’m associated with the terrible caustic people in my new play. He and his sister (18) associated my wife with it in a different way. Responding to a situation in the play, they asked her, “Do you have a lesbian lover?!?!?” Her response: “Not that you know of.”
June 5th, 2017 at 12:54 am
So has this changed what you see as your Target Audience?
June 5th, 2017 at 8:26 am
The target audience for theatre has remained exactly the same as it has always been: about two percent of no one.