The last Monkee
Three weeks ago, a friend and I saw the surviving members of the Monkees in their final performance. However much my friend and I tried to wish it otherwise, it was a melancholy affair, given the sad state of Mike Nesmith, who died today.
Micky Dolenz, it must be said, remains a vital performer at age 76. Dolenz is one of the great unheralded pop singers of the past half century, someone with a terrific voice who is also a natural showman — he’s able to hit all the notes, still and as always, and his stage energy is miraculously undiminished. At this point I’ve seen many rock and pop performers in their 70s, and to my ear and eye, Dolenz is the best preserved. A few years ago I told a friend during a concert that this had to be the last time I’d see Brian Wilson, because I never expected Brian Wilson, of all people, to be off-key, and I didn’t want my fond memories of the Beach Boys tarnished. If you have a chance to see Micky Dolenz, who undoubtedly will continue touring, take it — he’s a wonderful performer, he’s glad to entertain you, and you’ll be glad you’re there for it.
Sadly, the same couldn’t be said of Mike Nesmith. Just three years earlier, he’d been in fine form in another performance, again with Dolenz, at the Orpheum in downtown Los Angeles — playing guitar, singing well, buoyant and happy to be there, shimmering with all the love the audience threw at him. Their duet on “Me and Magdalena,” absolutely the highlight of the Monkees’ penultimate (and transcendent) album “Good Times!” was delivered with all the keening heartfelt emotion required. But tonight, at the Greek Theatre, we were stunned to see that not only couldn’t Nesmith play guitar, or even hold one, he could barely stand. At strange moments, he would absentmindedly shuffle off-stage or simply wander around the stage in ways that had many of us in the audience worrying that he’d fall over; at other times, his expression made clear that he wasn’t sure where he was or what he was doing or even perhaps who he was. At one point, he cried awkwardly; at another, Mr. Dolenz had to call for him to return to the stage: “Nez! Nez! I need you for this song…”.
It has been a hard couple of years for many people. For Mr. Nesmith, perhaps harder. So when I learned today that he had died, I was saddened, but, given the evidence, not surprised.
It isn’t easy to say this, but here goes: He shouldn’t have been on-stage. When your audience spends a concert deeply concerned about your health, there’s something wrong with the event.
I don’t know how one could ever know when a performer should retire. One of my favorite performers, Dame Edna, retired a few years ago, still at her (his) height. While I wish I could see that act again, I recognize that that was a very high-wire act, filled with smart rapid-fire improv and audience-involved repartee that was doubtless growing more difficult for an octogenarian. When David Lee Roth hung up his tights a few weeks ago, I congratulated him on Twitter because it was quite evident that he could no longer sing, and if I had seen all the mocking videos of his recent performances, I’m sure he had as well. I wish him a happy retirement. Performers like to perform, and we like to see them do so… but we don’t want to see them when they shouldn’t be doing it any more, and I’m sure they don’t truly want to be seen in that light either.
While part of me is glad that I got to see Mike Nesmith one last time, and during his very final concert, a greater part of me wishes the last time I’d seen him was in 2018, when he was still radiant. I’ve always liked the Monkees (I’ve been seeing them in concert for 30 years), and I’ve always liked Mr. Nesmith’s singing and his songs. I’m grateful for all the music and all the good times. But the previous final tour should have been the final final tour.
When or if you have the chance and the interest, go see the last Monkee, Micky Dolenz. He’s still got it. For now.