Lee Wochner: Writer. Director. Writing instructor. Thinker about things.


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Mulling him over

I had dinner last night with my good friend Shanna at a place with amazing Thai cuisine. (And that’s the restaurant’s name:  Amazing Thai Cuisine. So, yes, there sometimes is truth in advertising.) I had last been to Amazing Thai Cuisine just days before, with my fiancée, bringing a bottle of chardonnay for myself and ordering spicy duck salad with brown rice on the side. Tonight, feeling adventurous, I ordered the spicy duck salad with brown rice on the side, but brought a different label of chardonnay.

Discussion with Shanna turned to Martin Mull, who had died earlier that day, breaking my heart.

I loved Martin Mull. As a kid in the 1970s, I watched him on “Mary Hartman, Mary Hartman,” “Fernwood 2Night,” America 2Night,” and in various television or film appearances over the years, and bought all his records. One year, for Chistmas, I bought myself his album “Normal,” which remains my favorite, and then unwrapped my presents and found that my sister had bought me the same album. No doubt we both bought this because my love for Martin Mull was well-known in the family and because the album was available as a discounted cutout at the local Two Guys department store for a buck-ninety-nine. “Normal” was chockful of clever sing-along-able songs told from the point-of-view of a smart, sarcastic, judgmental 30ish man forced to suffer among rubes, but who wonders if it wouldn’t be easier if he were less clever and just went along to get along, swallowing his wit and urbanity. In other words, the Martin Mull character.  As a 15-year-old desperately not wanting to live in southern New Jersey with its greenhead flies and snapper turtles and traffic circles and dirt roads, who ached to get to wherever the cool intellectuals were with their impregnable aesthetics, this was exactly how I felt. Martin Mull summed it up in the title track, which I haven’t listened to in decades but can still summon up at will:

What say you and I get normal
We don’t have to be that formal
We’ll just sit and watch TV like others do
We’ll eat meat and mashed potatoes
Cut our hair so folks don’t hate us
Life is nuts enough just livin’ here with you

Let’s see who can be most borin’
You do the dishes honey, I’ll start snorin’
Get a mower, do some mowin’
Spend all mornin’ gettin’ it goin’
We’ll show everyone in town we’re not deranged
What say you and I get normal for a change

(Here’s the rest of the song.)

I also suspected that Mull, who was good-looking and whose character dressed well in a stylish but somewhat sleazy manner that said he knew what to do with a woman, was having lots of sex. So 15-year-old me was very interested in whatever I might learn from him, or at least from what I could learn from this character he kept portraying on TV and records.

On “Fernwood 2Night,” where he was a dimestore version of a local talk show host, Mull’s character, Barth Gimble, frequently got phone calls from what you’d assume were beautiful women, with us hearing only his side, which dripped innuendo. I always was trying to figure out what the woman was saying, trying to slot into my brain her side of a quick call centered around sex.

I shared all this and more with Shanna, and then she surprised me:  Martin Mull had been her client. “He was a very nice man,” she said. Shanna works at an accounting firm, largely for the well-known and the well-off, and Martin Mull had been a client.

The first time he came in, she said, she saw him coming and went to greet him in reception. He put out his arm and she thought, Wow, really nice, he wants to hug me! So she went in for the hug and he hugged her, and it was very nice, and then when they parted she realized that he’d actually been reaching for the door. Mortified, she ducked away and went and hid in the file room until he’d left.

But for years after, whenever he came in, he’d hug her. Now it had become a thing. And he’d add a kiss on her cheek.

I’m not 15 any more, but I still love Martin Mull’s act from then and in all the years since — but 46 years later, I also love this story about him, which was not an act… except of kindness.

2 Responses to “Mulling him over”

  1. Rich Roesberg Says:

    Recently saw Martin on a Carson episode where he talked with Johnny about his paintings. I have a book of his later works, after his cartoon surrealism and photorealism periods, when he settled into a style somewhat like that of Henri Matisse.

  2. Jim Markley Says:

    Well written. I wish I could have met him. My favorite character of his was Barth. I think I’ll see if he has a boxed set on Amazon.

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