Lee Wochner: Writer. Director. Writing instructor. Thinker about things.


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Choiceless choices

katewinslet.jpg

We’ve got more polls and surveys and pop quizzes than ever, and though the results seem more widely reported than ever, they have never been more meaningless. That’s partly because of the way these polls and surveys and pop quizzes are constructed: with variations on the “when did you stop beating your wife?” question.

If you’ve been reading this blog, you already know how I feel about political polls. They exist to build interest — and therefore viewership, and therefore advertising dollars — for the 24/7 round-the-calendar presidential race (with state and local races serving as junior versions of this dynamic). (Or, perhaps more insidiously, for the fundraising machines.)

Last night (well, early this morning), I finished watching my Netflix rental of the Jane Campion film “Holy Smoke” starring Kate Winslet and Harvey Keitel. I don’t know why the system recommended the film to me, but I do really enjoy Harvey Keitel, partly because I can’t decide whether he’s really good or really bad. (I think the latter, and so every time I see him with his stilted delivery and oafish physicality and average looks, I imagine that maybe I’ll jump into movie stardom late in life. Except, for all that, he has a weird charisma I can’t fully identify, and he has turned up in a large number of offbeat films I love, such as “Smoke” and “City of Industry” — which is a further reason I keep watching him.) “Holy Smoke” is not a good movie. It is ostensibly about cult deprogramming, Keitel’s character being hired by the family of Kate Winslet’s character to deprogram her after she falls aswoon of an Indian guru, but it isn’t really about that at all. I have great difficulty telling you what it’s about, or even how it’s about that. The supporting characters are flown in from some far zanier outback comedy (Campion is an Aussie), while the leads play an admixture of straight-on high-drama desperate need or something even further — something out of “Mommie Dearest,” with metaphoric ax and all. The movie is a mess. Early in it there are antic speedups, a la the Keystone Kops (I’m not making this up), while toward the end we get a slo-mo scene of Keitel striking Winslet. Later, when we find her in the trunk of his car I’m not sure if it’s supposed to be funny or dramatic. I don’t think the director or writers are sure, either. In fact, I’m not sure they’re sure about anything.

While slipping this disc into its sleeve to return to Netflix, I wondered what I was going to rate this in their system of one to five stars. After all, getting these ratings right is essential to their disc-recommendation system. It was that system that suggested this film — rightly so — and it is that system that will analyze my score on this and then suggest other discs. The system does a good job. On Day One of my Netflix account it suggested a Jim Carrey film, but once I entered my reaction to that and some other similar recommendations, such an outrage never recurred. I will say, though, that if there is some documentary somewhere about the horrors of the world that I haven’t seen, it’s probably waiting in my queue along with strange cinema from around the world: Korean films with one guy beating up 29 other guys in a hallway, Brazilian films about old ladies who are police informants and so forth. As my son said, “Does Netflix just keep recommending all this weird foreign shit?” Well, buddy, it beats the Cineplex.

The problem with my rating “Holy Smoke” is this: I really liked the movie. Oh, it’s undeniably bad, but in a puzzling and entertaining way. The scenes of driving through the Australian brush — of kangaroos hopping across the road at night — brought to mind the many times my truck or car was almost hit by deer where I grew up. I love the isolated halfway hut where Keitel is trying to deprogram Winslet. I like the early deprogramming scenes where he cuts away the fabric of her illusions. (If they’re illusions — I also remain unclear whether we’re supposed to believe that her “cult” is a good thing or a bad thing.) I certainly like the many shots of Kate Winslet full-bodied and naked cavorting around in the dirt, weeping, or laughing, and trying to seduce Keitel (either because she genuinely falls for him, or because she’s trying to reprogram him himself — another confusing point). Given all the enjoyment the film renders, it seems churlish to give it a bad rating. But I don’t want to confuse “Liked it” or “Really liked it” with “good.” No, it’s BAD — and I really liked it. Like The Three Stooges.

I’m not the only one with this dilemma. Here are two sample reviews from Netflix:

3.0 Stars
Roger Ebert, Chicago Sun-Times
“The film isn’t really about cults at all, but about the struggle between men and women, and it’s a little surprising, although not boring, when it turns from a mystic travelogue into a feminist parable.”

3.0 Stars
Janet Maslin, The New York Times
“As Holy Smoke moves from its early mix of rapture and humor into this more serious, confrontational stage, it runs into trouble.”

I looked at those reviews and, abetted by their both giving three stars, I followed suit. It seemed to make sense. But I do wish Netflix had options that clarified that one might Really Like a movie and believe it’s Utter Shit at the same time.

Then this morning I came across the following poll on MSNBC.com. Morgan Spurlock’s new documentary details his personal search for Osama bin Laden. The Weinstein Company snapped up the distribution rights to the film, and there have been news reports around the web strongly suggesting that Spurlock did what Bush and company have been unable to do: find bin Laden. Now, I don’t believe that Bush and company are looking all that hard for bin Laden, because most of us know where he is: in the mountains of Pakistan, well within reach of our good ally Pervez Musharraf. (And a hearty thanks to him, and here’s another $4 billion for all your help.) Finding bin Laden is akin to trying to find the last strawberry yogurt in the dairy case — it’s right there. Given what I know of the Weinsteins, I believe less that Spurlock has “found” him than that I believe their publicity machine is doing another fine job of conjuring controversy and rumor to drive box-office sales. So, hats off to them. So my inclination on the survey would be to respond that this is a publicity scheme. But here are my radio-button choices — and you’ll note that not one of them is a fair choice:

Are you intrigued enough by the possibility that bin Laden may have been found to see the documentary?

1. Absolutely. It would be a fascinating watch, regardless of whether Spurlock really finds Osama.
2. No way. This is just hype. The Bush Administration is doing all that it can to find the man.
3. It sounds interesting, but I’ll wait until the reviews are out to decide whether or not to see it.

Although I studied Logic in college, I didn’t need that training to cut these syllogisms in half. Number 1 is not true because I have no way of knowing whether or not it will be a “fascinating watch” (or even an interesting timepiece) without seeing it first. Number 2 is not true because while it IS hype, the Bush Administration is NOT doing all it can. Number 3 is not true because whether or not I see the film has nothing to do with reviews. So for me there is no good way to answer this poll. But because I wanted to see what others had said, I finally chose Number 3 because it seemed less offensive (with saying the “The Bush Administration is doing all that it can…” being most offensive). Here are the results:

Absolutely. It would be a fascinating watch, regardless of whether Spurlock really finds Osama.
48%
No way. This is just hype. The Bush Administration is doing all that it can to find the man.
21%
It sounds interesting, but I’ll wait until the reviews are out to decide whether or not to see it.
31%

Does this poll tell us anything? No.

Does the Netflix poll tell us anything? No. Not even about my preferences, in this particular case.

Do the polls popping up every day about the presidential race mean anything? No — except to the people putting them out and profiting from the system.

3 Responses to “Choiceless choices”

  1. Rich Roesberg Says:

    In the Bin Laden movie poll, I don’t think they were concerned with the logic of the choices. More likely they simply wanted to learn if respondants were eager to see it, didn’t care at all, or remained undecided. That would probably tell them what type of publicity to produce. Lee, you have to learn to think like a callous capitalist.

  2. Lee Wochner Says:

    MSNBC.com is running the poll, not the Weinstein Company. The only publicity MSNBC.com is interested in is what benefits itself.

  3. Joey Says:

    Re. Ms. Winslet:
    …’she falls aswoon’… now THERE’S a word!

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