On cinematic apocalypse
The past several months I’ve been watching apocalyptic disaster films with my four-year-old son and eight-year-old daughter. We started with “Last Man on Earth,” in which Vincent Price stars as the eponymous enemy of vampiric zombies (or zombie-like vampires) who slowly and ineptly stalk him at night. For the kids, the most memorable part is when Price finally finds some companionship in the form of a bedraggled poodle — until he discovers that said poodle is also infected and he has to put it down. (My daughter especially seems to think the movie is about the poodle.) On a scare level, even given that the film features nominally flesh-eating undead, the film rates a zero even for young children, who endlessly roam the house muttering, “Morgan… come out…” in a caricature of one of the scenes.
After we had exhausted the charms of this odd little film — in the end, Price winds up battling what seem to be mutant humans who are introduced far too late — I figured we’d move on to “The Birds.” Still somewhat scary, still in a sense apocalyptic. Not having seen “The Birds” in 30 years or more, I had forgotten two things:
- That for the first half it’s a tedious romantic comedy built around the misadventures of a man who wants to buy lovebirds and the woman determined to deliver them to him;
- That the ending is lame — and as you find out from the bonus DVD feature about that ending, evidently Hitchcock or the studio or both decided that the true ending would have been too expensive to film… so they just didn’t.
Still, for that brief period of the movie (half an hour?) when the birds are truly on the attack, the kids (this time including my 15-year-old son) were held in its grip. Apparently, birds can kill schoolteachers, pluck out farmers’ eyes, peck through roofs, blow up gas stations and, I guess, if truly pissed, unleash a torrent of birdshit all over you. All of this made an impression.
What is more powerful than flocks of antagonistic birds? Try a swarm of killer bees, as seen in “The Swarm.” This time, there was action throughout, starting with the murder-by-bee of a picnicking mother and father while the son helplessly watched from within the car. Now the kids were riveted. Bees are evidently far more destructive than zombies, birds, or whatever election horseplay Karl Rove can cook up: Bees can derail trains, blow up nuclear power plants, and decimate Houston.
So, what’s next? We watched “The Omega Man,” but this didn’t go over so well, I think because of the testosterone-amped Charlton Heston’s character. After the relatability of Vincent Price’s zombie chores — find them, stake them, haul them to the dump, burn them, much like cleaning the kitchen and taking out the trash — Chuck Heston’s zombie war was clearly high fantasy. It just didn’t carry the threat of dad getting really mad.
So lately we’re watching “Speed Racer.” For one thing, since the lease on my Mustang is up, I think it’s going to be my next car. For another, Spritle and Chim Chim are clearly the heroes of the show — something my kids relate to. (While they don’t hide in the trunk and jump out at key moments to save their older brother, they do like to get into my wife’s minivan through the hatch.)
Once “Speed Racer” is exhausted, I think we’ll move on to other forms of disaster movies, starting with “The Poseidon Adventure.” Or, if we want to see a disaster of truly magnificent proportion, we’ll just rent the recent remake.
October 21st, 2006 at 10:18 am
I think both the Price and Heston films are based on Richard Matheson’s novel, “I Am Legend.” I saw the Heston masterpiece at a drive-in with some friends. When the zombie/mutant types are about to haul Chuck away, their creepy leader says, “Take him to the small room.” This struck one of us as unintentionally funny, and for awhile became a dopey catchphrase. “Take him to the small room.” Bwa, ha, ha!
For fun watching disaster movies, look for “When Time Ran Out…” Talk about the waste of a good cast. Leonard Maltin rates it as a BOMB. I think it would have earned a few stars if he had reviewed it as a comedy.
October 26th, 2006 at 4:36 pm
The major asset of LAST MAN ON EARTH resides in the very paucity of its resources. Somehow the bad soundtrack, jerky editing and slap-dash photography lend it a conviction much more compelling than the trendy OMEGA MAN remake; this movie looks like it was made BY the last man on earth.
Watching some movies is like going through Boot camp.